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Monday, April 17, 2017
One Week Till Last Stop At Paradise...Plus a Kindle GIVEAWAY!
Let the countdown begin!
I hope you all had a wonderful Easter holiday. I was able to
visit my parents and see my brother, sister-in-law, and 8-yr-old niece. Family
time is always special, right?
I am super excited about this week because NEXT MONDAY is
the launch of LAST STOP AT PARADISE!!! This is Book 3 in the Shellwater Key
Tales, and “possibly” the last entry in the series.
Have you pre-ordered yet?
BUY LINKS
What
is this story about?
Last Stop At Paradise is Callie and Noah’s story.
Callie Dalton is the third in the trio of childhood friends,
along with Layla McCarthy and Emma Bertram. She had perhaps the most troubled
childhood, enduring the tragic death of her mother when she was only
10-years-old. Due to the awful circumstances surrounding that death, Callie’s
father wanted to move as far away from Shellwater Key as possible. Of course,
it wasn’t far enough to truly escape the memories.
Callie ends up marrying a minister, Austin Dalton, and he
goes on to build a mega-church empire that is known across the country. Then
Callie’s life crumbles again when Austin is arrested on a litany of charges.
Before a trial begin, Austin dies, leaving Callie and her two children to try
to scrape out a new life completely on their own.
With no money and nowhere to go - and after finding out her
father never sold their old house - Callie returns to Shellwater Key and is
soon reunited with her best friends, Layla and Emma. She finds a new job
working for Layla as the House Manager at The Paradise Dinner Theatre.
Last Stop At Paradise is really about carving out a new
life. Haven’t we all faced times when we were forced to rebuild? Maybe a
difficult breakup. The loss of a job. Losing a loved one. Callie Dalton is
there, and this story is her journey back to life.
Here’s a little excerpt:
Chapter One
I’m
about to move into a haunted house.
Callie Dalton stared
at the home where she’d spent the first ten years of her life. She didn’t
actually believe in ghosts — at least not the “boo” kind — but there were other kinds of spiritual disturbances.
Call them the Ghosts of Upended Lives and
Shattered Dreams or the Specters of
Agony and Loss. Those kinds of ghosts were all too real, as she well knew.
Moving back into this house, in the sleepy town of
Shellwater Key on Florida’s southwest coast, carried its own special brand of
the macabre. Of course, her entire life had become one big train wreck so what
was a little more pain? Only six months ago, she’d been the first lady of one
of the country’s largest televangelist empires. She’d stood as the silent queen
behind her charismatic preacher husband, Austin Dalton, who’d founded the Glory
Gospel empire.
That was before the
arrest and the litany of Federal charges against Austin for multiple counts of fraud
and tax evasion. Within weeks, the Feds had seized everything they owned. Then
came the shocking end to the scandal when Austin died of a sudden heart attack.
These days, Callie
was the most despised woman in America. The fact that she was a widow now only
garnered outrage that the person responsible for ruining so many lives had died
before he could pay for his crimes.
So, what was living
in the same house where her mother died compared to national shame? Compared to
months of Federal agents breathing down her neck? Learning to ignore icy glares
and even threats to her life? At least when she’d been a child, everyone had
felt sorry for her. Now, Callie knew many would not care if she were to join
Austin in a premature death.
A sweaty hand tugged
on her skirt. “Mommy, are we goin’ in? I’m hungry.”
Callie jerked back to
the present, forcing herself to focus on the two most important things in her
life. Seven-year-old Leanne looked up, her faintly tilted dark eyes narrowed in
confusion. Seeing her daughter’s wide, gap-toothed smile, it was sometimes hard
to remember the child had spent the first nine months of her life in a Chinese
orphanage. When Callie and Austin had first adopted Leanne, she hadn’t allowed
anyone to hold her, and had eaten like she didn’t trust that the next meal
would come. Now, she was a healthy, happy girl who loved tea parties, dolls,
and all things pink.
“Yes, we’re going
inside, baby,” Callie said. “Mommy just wanted to look and remember.”
“Remember what?” Six-year-old
Stephen asked, without looking away from an ant that was attempting to carry a
crumb back to its buddies. Stephen had spent the first few months of his life in
an orphanage, too, only his had been in the Ukraine. Callie’s wiry and curious
little boy pushed a chunk of blond hair out of his eyes, reminding her that he
needed to visit the barber ASAP.
“Things I really
should forget,” Callie said, struggling to stay in the moment and not think
about her past or her future.
Stephen lost interest
in the ant and glanced up, blue eyes twinkling with mischief. “Why?”
“Because Mommy likes
to torture herself.”
“Why?”
“I don’t know.”
Leanne put her hands
to her skinny hips. “You should stop,” she said, with an emphatic nod.
Out of the mouths of
babes. “I’m sure you’re right,” Callie said, tweaking her daughter’s nose.
If only she knew how
to stop. If only she could cut off the pangs of guilt and shame. If only she
knew what her next step would be.
DON’T FORGET! Buy Last Stop At Paradise before May 1 and you
will entered to WIN!!
1st Prize – Amazon Kindle Fire
2nd Prize - $50 Gift Card
Missed the first two Shellwater Key Tales?
Now is your chance to catch up! Both books are ON SALE for
only 99cents, but they won’t be for long!
AMAZON / BARNES & NOBLE / ITUNES / KOBO
STRAIGHT ON TOWARD PARADISE (Book 2) Emma &
Reece's story (only 99cents!)
AMAZON / BARNES & NOBLE / ITUNES / KOBO
Saturday, April 15, 2017
Release Day Almost Here...Last Stop At Paradise and Two Chances to Win
I'm so excited that Book 3 in the
Shellwater Key Tales, LAST STOP AT PARADISE, will launch in just
over a week on Monday, April
24th! A new release is always an amazing experience for an author. It's
partly surreal/partly nerve-wracking. You hope people will like it and
appreciate all the effort that was put into writing it.
I'm so excited that I'm running a
giveaway. If you buy LAST STOP
AT PARADISE by midnight on Monday, May 1st (one week after the release) you
can enter to win cool prizes.
1st
Prize - Kindle Fire
2nd
Prize - $50 Gift Card
Just email proof of purchase to kristin@kristinwallaceauthor.com by May 1st.
BUY LINKS
“They’ve all told me how
much you’ve counseled them,” Callie said. “There’s a reason everyone thinks
you’re an angel.”
“Yes,
but now I realize it wasn’t just about them.” His gaze centered on her. “I
think maybe I was supposed to wait for something else. For someone else.”
When Callie Dalton’s
charismatic, televangelist husband falls into disgrace, Callie goes down with
him. Now he’s dead, leaving Callie to face the wrath of the public alone. With
nowhere else to go, she takes her two young children and escapes to a place she’s
spent most of her life trying to forget.
Shellwater Key holds
memories of sweet childhood friendships…and the tragic death of her mother.
Most everyone is horrified when Callie moves back in to the same house where
her mother died, but after the scandal her options are limited. Except that
same house now comes with a bonus…a handsome “pool boy” with changeable eyes, a
killer smile, and shoulders wide enough to carry every one of her burdens.
Noah Johnson isn’t
actually a pool boy. He’s the carpenter and resident “angel” at The Paradise
Dinner Theatre, now owned by her friend, Layla McCarthy. After a disastrous and
humiliating job hunt, Noah helps engineer a position as House Manager at the
theatre. A chance to start over is an answer to prayer, but every instinct
warns that proximity to the sexy and enigmatic Noah could be the most dangerous
complication to Callie's life…and her wary heart. But when she learns the truth
about Noah’s story and his former occupation, she's ready to run again. It will
take a willingness to face her tragic past and embrace the possibilities of
tomorrow for Callie to find the love that will finally set her free.
Friday, February 10, 2017
Theatre 101: Finally...Opening Night
So after months
of rehearsals, costume fittings, set building, several nervous breakdowns,
ranting &
I did miss
blogging about the final rehearsals on Wednesday (which was not a full dress
rehearsal as we didn’t wear costumes), but it was a horrendous as could be. We
were trying to rehearse while people were working to get the room ready so
there was a lot of banging and clanging.
Opening Night we
arrived early to get ready…mostly the ladies getting their hair done, which
takes a long time. A lot of them have wigs and hairpieces, but those still need
to be done properly to look right. Makeup needs to be done. We even torture the
men by making there wear some.
 |
| The cast... |
THEN…We wait…and
wait….and wait….
It’s a DINNER
theatre so we have to wait until dinner is over before starting the play. Not
everyone likes that wait. You’re jittery enough and just want to go on, so
having to wait an extra hour and half can be brutal on your nerves. Plus, most
are in full costume and they can be hot to sit around in for hours.
 |
| Backstage selfie right before we went on |
There is nothing
quite like getting to perform in front a live audience, especially after months
of having only the director or a prompter around to watch. You never really
know if you’re funny until there are actually people out there. Sometime you
get a good audience that laughs at everything, others are just grumpy never
warm up. Opening Night’s audience was GREAT. They laughed from the first line,
they got the terrible puns, they even “booed” the villain (which is ok in a
Melodrama as the villain usually deserves it). So glad the audience seemed to
enjoy it. What a relief!! And what fun!
The show went
really well…for the most part. No major mistakes.
Of course there are ALWAYS a few things.
1 – My Hair Has Fallen!!!
 |
| My big "Ahhhhh!" singing moment. Before my hair fell down. |
My hair started
to “come apart” in the second act. It literally began to fall, pieces were
hanging in front of my face. The second hat I wear will not stay on, even with
pins. It too kept falling off so I finally dumped it and declared I would buy a
new one because that one just didn’t work. There is nothing more annoying for a
performer than a wardrobe malfunction (ask Janet Jackson). When something’s not
right with your costume or hair it’s all you can think about. I’d also
forgotten to bring hairpins with me so I had someone run back to the room where
we got ready to grab some. Another girl loaned me her barrette and we’re all
shoving pins into my hair, hoping it will stay up there until the end.
2 – The Case of the Rolling Trunk
So we have a
trunk that is brought on by one of the female characters. She has to push it
on, sliding it across the floor. It worked ok in rehearsals on the tile floor,
but once on a stage it was harder to push. We’re also using a big Oriental rug
and it would snag on the edge. So they decided to put wheels on the trunk. Sort
of works better for pushing, but the trunk is also used as an extra seat. So
you’ve got a trunk on wheels, perched on a corner of the stage. The first time
someone sat on it…it started to roll (toward the edge of the stage). The actor
managed to pull it back, but later another actor touched it and the trunk
rolled again, the back wheels coming OFF the stage. So it’s balanced there on
the edge
of a cliff. Audience members (who are right up front) are ready to jump
up to catch it. I’m on the couch nearby and wondering if I can lunge in time to
grab it. Luckily, another actor was able to pull it back on her way out. But
watching that trunk wobble on the edge, thinking it would crash to the floor
was a BAD moment.
 |
| With the director after the show |
 |
| Dish duty... |
So that was Night One…two more shows to go! Back with recaps of Show 1 and 2.
Wednesday, February 8, 2017
Theatre 101: Show Week Continues...Second Dress Rehearsal
Night 2 of Dress Rehearsal...
We have a more complete stage - there are actual walls! Still a few details to add, but it's starting to look like a real place now.
-The actress who plays Grandma is sick and we're not sure she will be recovered time. We're wondering who we can slap her wig on come play time.
-The ladies are getting used to navigating rickety stairs in period dresses that weigh 15 pounds and have long, full skirts. Also, we know why women had dressers back-in-the-day. Getting in to those suckers is a two-person job. Same thing for hair.
-The couch is very low to the ground and some of our actors have trouble getting OUT of it so it's been elevated with wooden blocks on each leg.
-Nope, you don't actually have time to run to the other side backstage to grab that prop before you have to be back on.
-Still can't get two of my three hats to stay on. They slide off. Must figure this out.
-Figuring out the "drop off" points where you can actually fall OFF the stage (it's elevated about 3 feet) if you take a wrong step.
-My teased hair (before smoothing into a presentable hair style) makes me look like Edward Scissorhands, especially before makeup is applied. YIKES!
 |
| A peek at the full get-up. |
Tuesday, February 7, 2017
Theatre 101: Break A Leg...The Launching of a Play
You guys...it's ALMOST HERE! The play launches on Thursday and we're getting serious. We have dress rehearsals all week. The first one was last night. For the first time we're working on an actual stage. Since we do the dinner theatre at our church we have to bring in risers and everything. All the rehearsals have been done on the floor with tape to indicate where walls and exits will be. We've also
been using regular plastic chairs to stand in for couches and other set pieces. The stage lights are being hung. It is a very different feel when you're suddenly a few feet above the ground and looking into actual (blinding) stage lights. You can't see much of anything past the stage and you suddenly have to worry about falling off.
 |
| Stage is up, walls still to come |
We also got to wear our actual costumes for the first time. That's always different. This is an 1890s Western Melodrama. My character is April May June, noted opera singer and hat connoisseur. As the description would indicate I get to wear a lot of outrageous hats and I get to sing (badly for the most part). My costume is big, the hats are bigger...and so is my hair. The picture below is very tame compared to what it looked like after the "teasing" process. I looked like the Bride of Frankenstein or someone who'd touched a live wire and gotten electrocuted.
As this stage of a play (no pun intended) everything
changes. Working with the actual set and costumes means we have to relearn a lot of things
because what worked
when while wearing jeans often doesn’t when replaced by a voluminous skirt. The couch isn't quite where you imagined it would go so blocking changes. You tend to forget all your lines because now you're more worried about your hat staying on. (Two of mine slid off.) One of the men literally almost lost his pants because they were too big.
 |
| Check out this do! |
Dress rehearsals
have a reputation for being awful. It’s kind of a thing in the theatre and a
lot of people actually believe a terrible dress rehearsal means the actual show
will be great! Don’t ask me why, but it’s true.
Wednesday, February 1, 2017
Theatre 101: Do We Have Any Understudies?
Back once more with a behind-the-scenes look at a play production. Next week is SHOW WEEK (we open on Thursday night) so this week it's down to the nitty-gritty. There is SO MUCH that needs to be done still. Unfortunately, about half of the cast is down with that nasty flu/cold bug that is going around right now. We had all kinds of "extras" standing in and reading parts for absent actors at last night's rehearsal. The mother of one of the kids in the cast even got roped into reading a part. (We may have scarred her for life. Next time I'm pretty sure she's making her husband bring the daughter to rehearsal.) A couple even had to sub-in for two different characters so they had to try and change their voices. One of the kids in the cast acted as a "stand-in", basically standing in the spot where the real actor would be just so we weren't all talking to thin air.
Most stage productions have something called "Understudies". These are actors who can come in and take over a part if the lead actor is sick or injured. In the real world of the theatre understudies have to go to every rehearsal and memorize all the lines of the actor they *might* suddenly have to replace one night. If you've ever been to a Broadway show or seen a traveling show in your town you might have noticed that the many of the cast members will be listed for a small role, but they also act as understudies for one of the larger roles. Some are even understudies for more than one part. Sometimes actors will *share* roles and they trade off different nights. There might even be more than one actor listed as understudy for certain lead parts. Since the traveling shows are on the road for so long it makes sense that there are multiple backups. Sometimes, you'll notice there are "backups for the backups". If Actor A is out, and Actor B takes his place, then Actor C takes over for Actor B.
Understudies are the unsung heroes of the stage world. Sometimes, they can go a entire show run and never even get on stage. Understudies are also often depicted as the "bad guys" looking to sabotage the lead actor so they can take his/her place.
There are some very famous actors who were understudies, but through fate (and an unfortunately sprained ankle or laryngitis or the lead exiting the show) took over the lead role and went on to become famous.
Actors who started as Understudies and took over lead roles include:
Shirley McClaine - Took over the lead role in Pajama Game from Carol Haney
Anthony Hopkins - Took over the lead role in The Dance of Death from Sir Laurence Olivier
Matthew Morrison (Glee) - Took over the role of Link Larkin in Hairspray.
Sutton Foster - Took over the lead in Thoroughly Modern Millie. She went on to win a Tony Award for the role.
BTW...please says prayers and think good thought for our cast members. We need everyone WELL very soon!!!
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