Sometimes, the end justifies the means…

Kate Davis arrived into Oregon City transformed from a pampered daughter of fortune into a determined woman with a plan--fulfill her father's dream of starting a horse ranch in Oregon Territory. She quickly discovers a harsh truth--even thousands of miles from home, on an unsettled land America doesn't yet own or govern, gender still takes precedence over ability. Refusing to be ruled once again by the stifling laws and societal norms she'd escaped by leaving Virginia, Kate begins creatively claiming what is rightfully hers. Until a visit to the land office changes everything.

Jake Fitzpatrick guided Kate across the Oregon Trail, and fell in love with her along the way. Now he wants to marry her and build a life together, but a ruthless man from Jake's past threatens to reveal a dark secret, and destroy everything he's worked so hard to achieve.

Excerpt: (Jake, Kate, and two people they rescued on the Oregon Trail, William and Margaret, have entered Oregon City. They are looking for the hotel.)

At the end of the block a man burst from the saloon and stumbled into the street, stopping mere inches from Jake's horse, Plug. Instead of backing away, the man lurched forward and reached for Jake's saddle horn.

RONE Award Winner

"Hey there!" Jake said. Raising his left leg, he ignored the resulting twinge of pain and shoved the stranger aside with his boot heel. "Watch it!"

The man drew back and stared at him, his eyes bloodshot and unfocused. He raised an unsteady finger, slurred an unintelligible response, and then fell face-­first into a patch of mud.

"Drunken fool," Jake muttered, then faced the others. "Let's keep moving."

High-­pitched squealing foiled his plan.

On the upper deck of the saloon a horde of harlots stood clustered together, giggling and shrieking as they pointed toward him. Clenching his jaw, he focused on the street ahead, all the while hoping Kate didn't notice one woman in particular who'd separated herself from the others and was now hanging over the railing, calling him by name.

Jake pressed his boot heels into Plug's side, urging him to a steady trot. Thankfully the others followed and they quickly left the saloon behind.

Minutes later, Kate motioned to the end of the street. "William, we're running out of road and I still don't see a hotel."

William pulled a rumpled paper from his pocket. He studied it briefly and then eyed the surrounding buildings. "My uncle sent me a rough sketch of where it's located, but there are so many new buildings, it's useless. Jake, do you know where it's at?"

Jake shook his head. "There wasn't a hotel the last time I was here."

"Perhaps one of those men sitting in front of the apothecary would know?" Margaret suggested.

"We'll find it ourselves," Jake replied. He led the group around the corner and onto the next street.

Buildings, so new their fresh pine scent still hung in the air, lined one side of the street while the other side held only two—an enormous livery and a two-­story building with the word Hotel prominently displayed on a white sign with black lettering. A matching sign beside a light-­rimmed window read Rooms Available by the Day or Week.

They dismounted, secured their horses to the empty hitching posts in front of the hotel, and headed for the door. William reached for the glass knob, then turned to the others with a worried frown.

"I haven't seen my uncle in over seven years, so I don't know what to expect. Though from what I've observed so far, living out west doesn't seem to improve manners." 

He stepped inside and ushered Margaret and Kate through the doorway. Jake followed them, then stopped cold.

Behind the hotel's front desk sat Theodore Martin—the one man Jake never wanted to see again as long as he lived.

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About the Author:

Christi Corbett, winner of the 2013 RONE Award for Best American Historical novel, lives in a small town in Oregon with her husband and their twin children. The home's location holds a special place in her writing life; it stands just six hundred feet from the original Applegate Trail and the view from her back door is a hill travelers looked upon years ago as they explored the Oregon Territory and beyond. 

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Welcome to what’s known as a rolling blog hop…or tag blog hop I suppose. Basically, every Monday an author blogs about his/her writing process answering the same 4 questions. This hop has seen all genres of authors from mystery to paranormal to historical to YA. Today my genre, inspirational romance, is added to the mix. Thanks to Alyssa Maxwell for tagging me. So here goes!

What am I working on?

I am currently working on the 4^th book in my Covington Falls Chronicles series. Covington Falls is a fictional Southern town filled with so many quirky, wonderful characters. The first book MARRY ME (which was also my debut novel) released in October 2013. The second ACTING UP comes out April 22^nd and the third in the series IMAGINE THAT will hit a Kindle (or Nook etc.) near you on July 1^st.

The current work in progress is set at Christmas time. It’s a little strange to still be stuck in holiday mode, but I’m enjoying it. My heroine actually made her first appearance in MARRY ME as a jilted bride. Noelle Robinson finally gets her true romance, with the brother of the man who jilted her, Michael Campbell. Talk about complications. On top of that she has to run her parents’ Christmas store and organize all the town’s holiday festivities after a family health crisis. Of course, there is plenty of chaos and fun. This book is a little different in that Noelle and Michael have known each other all their lives, but are just now discovering a spark. It’s very unsettling for them to suddenly see each other in a new light. Not to mention that Michael is her ex-fiancé’s brother. AWKWARD.

How does my work differ from others of its genre?

I write inspirational romance, but I’ve never seen it as typical inspirational. I don’t ever want to make my books sound preachy or overly saccharine. I want anyone to feel comfortable reading my books, even if they’re not religious. Actually, just today I attended a book club meeting after a friend suggested MARRY ME to her group. One of the ladies said she wasn’t sure about reading a Christian book because she isn’t religious but she ended up loving it. I always have plenty of humor, which I think also makes my book stand out. I can’t do 300+ pages of pure angst.

Why do I write what I write?

I blame Seth Graham for that. I didn’t set out to write inspirational romance. I hadn’t read much of it because it seemed like all that was out there were historicals with covers featuring what I called “Little House on the Prairie” girls.  Basically, a young woman in a bonnet staring off into the distance with a placid expression on her face. Now, there’s nothing wrong with those book, but that just wasn’t the kind of book I wanted to write. My heroines were snarky and funny. Then came MARRY ME. It’s about a cynical, wedding-hating heroine (Julia Richardson) who winds up running a wedding planning business. When I was trying to figure out who the love interest would be I hit upon a minister. Seth Graham was born. The minute I found Seth the rest of the story came together. I created an entire fictional town. I had a backstory for my heroine Julia, and I realized I could write a story that also included a faith journey as well as a romantic one. Julia is cynical about everything, including religion. A big arc in MARRY ME is Julia finding faith. That book led to the creation of two more Covington Falls stories.

I write inspirational romance because faith is vital to my life and now I’ve found a way to introduce readers to God in a non-threatening and entertaining way. I think it’s what I was born to write.

How does my writing process work?

I generally have an initial idea for a situation. Then I have to stir it around in my head and try to figure out “the rest of the story” as Paul Harvey used to say. Like with my second book ACTING UP. All I knew about the book was that I would have a famous Hollywood actress (Addison Covington) directing a high school musical. From there I had to figure out everything else. Eventually, I decided to have her leave Hollywood in disgrace after losing her husband and her job. She escapes to Covington Falls where she once lived as a teenager, but once there she is asked to direct the spring musical. The love interest is another local boy, Ethan Thomas. He lived next door to Addison, and now he’s the principal of the high school.

Once I have the basic story in my head I like to just write a couple chapters blind. It helps me get to know the characters. What they sound like, their personality, their quirks, etc. I can’t jump right in to plotting or I will get bogged down in details and lose interest. Only after I’ve written those opening chapters will I go back and start plotting. I will usually make a list of “conflicts” or “things that can go wrong”. Then I make an outline, with each scene and a short description of what happens. I’m not a fanatical plotter. I don’t really have the patience for a long, drawn-out process. If it gets too complicated I will lose my enthusiasm. I also tend not to be slavish to the outline. If something doesn’t seem to be working or I decide a scene might be better later in the story I will move things around.

So there you have it. Thanks for stopping by. Be sure to check out Victoria Pinder who is also blogging to today and next week (March 31) visit Christi Corbett author of Along The Way Home.